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Decorative effect intended for interiors, resembling regular structure of a creased silk-satin cloth with pearlescent afterglow. On the wall coated by the paint Murillo we apply the paint Corado which must be close by its color to Murillo. Then we stamp spot by spot using a chamois leather cloth creating uniform decorative pattern. Analogously we are covering the whole surface in one go, so that Corado is creating the pattern, is becoming interconnected all over the surface, covering thus the decorated wall.


  • all interior walls,
  • living rooms,
  • bedrooms,
  • cloakrooms,
  • hallways, halls,
  • kitchens, bathrooms,
  • pillars, fireplaces,
  • slanted and plain ceilings,
  • constructions from gypsum-carton boards, gypsum plasters, both smooth and structured surfaces atd.

We recommend to apply the effect in interiors of any sort: in private as well as public ones (hotels, shops, restaurants, offices, educational and cultural facilities, medical and industrial facilities), also in prestigious interiors which we need to enlarge optically and in any place which we need to endow with a cozy and elegant feeling. Also suitable for surfaces that get often dirty.


  • resistant to washing,
  • water vapour permeable,
  • affordable,
  • pleasant and soft to the touch,
  • suitable for leveling surfaces,
  • brightening effect: silk-satin, enlarging the interior,
  • designed for easy application,
  • very good adhesion with various types of substrate.


When selecting colours for a given interior, several factors must be taken into account as they affect our perception of the colours, aesthetics, and our mood. The swatches and the catalogues available on the market are for illustration purposes only, frequently in the form of a photography of the colour printed on single quality paper (glossy or matt) and do not represent the actual perception of the final effect. ECORSON produces original colour and texture samples of individual products to make the choice easier. Keep in mind that small, ready colours or textures in swatches may slightly differ visually from final effects in particular interiors. If you lack colour intuition, we recommend making a larger sample or hiring a Designer or Decorator who can suggest individual and appropriate choices. Keep in mind that the colour on a small swatch (even an original one) may look different on a large surface due to a number of factors such as other nearby colours that dominate the room (barely visible colour of glass panes, floor, furniture, etc.), the amount of sunlight and the time of day, direction, the type of artificial light (warm or cold, scattered or beam), and distribution of the colour. The same rule applies while selecting colours and painting outdoors as we are close to nature and affected by it. All these factors saturate the walls with their colours, tones, and shades (and vice versa), interfuse, and create collages, often beautiful. It must be taken into consideration when selecting colours. Our perception of colours is significantly affected by light. We do not recommend applying two different colours or products on corners as the colour should be determined by the shape. Have fun with colours and textures, remember that they can change a lot in our interiors, for example affect the perception of size and distance, add warmth and cosiness, or create a cold and fresh appearance. The colour and the texture may cause desired feelings and affect our mood. As it is our passion, we wish to share it with you. ECORSON team.

General application principles

All work on a given substrate should be performed and finished with products from the same production batch, with the same serial number, as there may be slight differences in the base that may affect the final colour and effect. The instructions to perform the work in a professional manner are based on basic occupational health and safety rules, and guidelines described in the following sheets: technical, application system, adapting work to conditions (i.e. temperature, humidity, drafts, etc.), and proper surface preparation.

Before we begin painting, it is very important to verify the technical condition of the substrate and follow the guidelines related to its proper preparation. The substrate should be: stable, dry, cleaned, all cavities should be filled and any fungi should be removed if necessary. Dust must be removed from the surface, as well as any built up dirt and grease. If the surface does not meet the requirements, old layers of paint, which should adhere to the substrate well and endure the adhesiveness of the new finish, must be removed mechanically. When working on mineral textures that have never been painted, ensure they are clean and free of defects (new plasters should be painted after 3-4 weeks of stabilisation or after the time indicated by the producer of the plaster, putty, filler, etc.)

In order to achieve a level and homogeneous surface on a given substrate, the work should be performed by a single person using the same tools, with a short application time (without pauses) for each coat so the whole wall may be covered with wet paint.

The final effect depends on the user's skills, tools, and the amount of product applied. Therefore, the efficiency, samples, and other parameters presented here are illustrative and approximate only, calculated based on several years of experience and research, applicable to optimal climatic conditions (approx. +23°C and 65% humidity). The parameters may change in other conditions. However, due to a great variety of substrates and application conditions, it is necessary to verify the product and its effectiveness by testing it individually under given conditions.

If the surface requires washing, the whole wall must be washed with similar motions and using the same tools and liquids. Wash the tools with water immediately after use. ECORSON is not responsible for non-intended use of the product and uses inconsistent with the principles, also when used beyond our reasonable control. 

How-to videoCalculatorApplication SheetRETURN


System: MFA Classic/ MFA Plus / MFA White / Murillo / Corado
Drying time: MFA Classic: 4-6 h
MFA Plus: 7-8 h
MFA White: 4-6 h
Murillo: 4-6 h
Corado: 12 h
Numbers of layers: 4
Colors: according Corado
Packaging: MFA Classic: 1L/ 5L/ 20L
Murillo: 1L/ 3L/ 5L/ 14L
Corado: 1KG/ 3KG/ 5KG / 15KG
Storage: +5oC - +30oC
Temp. application: +10oC - +30oC
Efficiency: MFA Classic: 1l/40 m2
MFA Plus: 1l/30 m2
(diluted 1:3 with water)
MFA White: diluted with 50-100% of water 1l/15-20 m2
No diluting 8-10m2
Murillo: 1l / 16-20m2
Corado: 1kg / 6-8m2
Application: indoors
Imposition: MFA Classic: brush (wide brush), roller for weak substrates
MFA Plus: brush (wide brush), roller for weak substrates
MFA White: brush (wide brush), roller for weak substrates
Murillo: large roller, small roller, telescopic handle, paint brush
Corado: chamois leather cloth, brush (wide brush)
Thinning: MFA Classic: Add 4 L of water to 1 L of primer
MFA Plus: Add max. 3 L of water to 1 L of primer
MFA White: add 0 to 100% of water. max. 1 L of water to 1 L of primer
Murillo: add 5 – 25% of water (depends on the base)
Corado: add approx. 10 - 20% of water
Consuption: MFA Classic: 0,025 l/m2
MFA Plus: 1l/30 m2
(diluted 1:3 with water)
MFA White: diluted with 50-100% of water 0,05-0,06 l/m2
No diluting 0,1-0,125 l/m2
Murillo: 0,05-0,06 l/m2
Corado: 0,125-0,16 kg/m2

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